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Robert Shaw
Shaw c. 1971
Born	(1927-08-09)9 August 1927 Westhoughton, Lancashire, England
Died	28 August 1978(1978-08-28) (aged 51) Tourmakeady, County Mayo, Ireland
Occupation	Actor, novelist, playwright
Years active	1947–1978
Spouse(s)	Jennifer Bourke (m. 1952; div. 1963) Mary Ure (m. 1963; died 1975) Virginia Jansen (m. 1976)
Children	10 Deborah Shaw (1953) Penelope Shaw Rachel Shaw Katherine Shaw Elizabeth Shaw (1963) Hannah Shaw Ian Shaw (1969) Colin Shaw Charles Shaw (1961) (adopted) Thomas Shaw (1977)
Relatives	Tanya Landman (niece) Rob Kolar (grandson)

Robert Archibald Shaw (9 August 1927 – 28 August 1978) was an English actor, novelist, and playwright. He was nominated for an Oscar and a Golden Globe for his role as Henry VIII in the drama film A Man for All Seasons (1966).

Shaw's other notable film roles include From Russia with Love (1963), The Royal Hunt of the Sun (1969), Young Winston (1972), The Sting (1973), The Taking of Pelham One Two Three (1974), Jaws (1975), Robin and Marian (1976), and Black Sunday (1977).

Early life

Robert Archibald Shaw was born on 9 August 1927 at 51 King Street in Westhoughton, Lancashire,^[1] the son of former nurse Doreen Nora (née Avery), who was born in Piggs Peak, Swaziland, and Thomas Archibald Shaw a doctor of Scottish descent.^[2][3] He had three sisters named Elisabeth, Joanna, and Wendy, and one brother named Alexander. When he was seven years old, the family moved to Scotland, settling in Stromness, Orkney. When Shaw was 12, his alcoholic father killed himself. The family then moved to Cornwall, where Shaw attended the independent Truro School.^{[citation needed]} For a brief period, he was a teacher at Glenhow Preparatory School in Saltburn-by-the-Sea in the North Riding of Yorkshire, before attending the Royal Academy of Dramatic Art in London. He also served in the Royal Air Force.^{[citation needed]}

Acting career

Early Career

Shaw in The Buccaneers (1957)

Shaw began his acting career in theatre, appearing in regional theatre throughout England. In 1946 he played Angus in a RSC production of Macbeth at Stratford.^[4]

In 1947 he appeared in The Cherry Orchard on British TV; also for that medium he did scenes from Twelfth Night and Macbeth. He played at Stratford for two seasons.

He had a small part in The Lavender Hill Mob (1951), playing a police laboratory technician towards the end of the film, and in 1952, he made his London debut in the West End at the Embassy Theatre, in Caro William. That year he appeared on TV in A Time to Be Born (1952). He returned to Stratford in 1953.^[4]

Shaw had small roles in The Dam Busters (1955), a TV version of The Scarlet Pimpernel (1956), the films Doublecross (1956) and A Hill in Korea (1956) (alongside other young actors like Michael Caine), and a TV version of Hindle Wakes (1957).

The Buccaneers

Shaw became a TV star in England when he starred as Captain Dan Tempest in The Buccaneers (1956-57) which ran for 39 episodes.^[5]

He was now a TV leading man, having leads in TV films such as Success (1957) and a TV version of Rupert of Hentzau (1957). He had a big stage success with The Long and the Short and the Tall in 1959 directed by Lindsay Anderson, a performance which was filmed for television (though Shaw did not appear in the feature film version).^[6]

He had small roles in Sea Fury (1958) and Libel (1959) and guest starred on William Tell, ITV Television Playhouse, The Four Just Men, and Danger Man. He was also appearing in TV plays like The Dark Man, Misfire and The Train Set.

Writing

Shaw's first novel, The Hiding Place, published in 1960, received positive reviews. ^[7]

In 1961 Shaw appeared in a Broadway production of Harold Pinter's The Caretaker alongside Donald Pleasence and Alan Bates (Shaw replaced Peter Woodthorpe who had performed with the others on stage in London). It ran for 165 performances.^[8]

His second novel The Sun Doctor (1961), was awarded the Hawthornden Prize in 1962.

Shaw had good roles in The Valiant (1962), a war film, and Tomorrow at Ten (1962), a thriller. He played the leads in TV versions of The Winter's Tale (1962) and The Father (1962). He, Pleasence, and Bates reprised their performances in a film version of The Caretaker (1963); Shaw was part of the consortium who helped finance the latter.^[9]

Film Fame

Shaw became well known as a film actor when cast as assassin Donald Grant in the second James Bond film, From Russia with Love (1963).

For TV he adapted an appeared in a production of A Florentine Tragedy (1963) and was Claudius in Hamlet at Elsinore (1964) with Christopher Plummer. He played the title role in The Luck of Ginger Coffey (1964), shot in Canada alongside Mary Ure who became his second wife. He had a role in Carol for Another Christmas (1964).

Shaw later said of his early career, "I could have been a straight leading man but that struck me as a boring life."^[4]

In 1964 Shaw returned to Broadway in a production of The Physicists directed by Peter Brook but it only ran 55 performances. "I want very much to avoid doing bad commercial pictures for lots of money," he said. "It's difficult to avoid with six kids and two wives."^[10]

Shaw then embarked on a trilogy of novels – The Flag (1965), The Man in the Glass Booth (1967) and A Card from Morocco (1969).

Shaw also adapted The Hiding Place into a screenplay for the film Situation Hopeless... But Not Serious starring Sir Alec Guinness.

Shaw was the relentless panzer German Army officer Colonel Hessler in Battle of the Bulge (1965), produced by Philip Yordan; a young Henry VIII in A Man for All Seasons (1966), which earned him a nomination for the Golden Globe Award and the Academy Award for Best Supporting Actor; General George Armstrong Custer in Custer of the West (1967), again for Yordan^[11]; Martin Luther in Luther (1968); and top billed in another film version of Pinter, The Birthday Party (1968), directed by William Friedkin.^[12]

The Man in the Glass Booth

His play The Man in the Glass Booth was a success in London in 1967. It transferred to Broadway the following year and was a hit, running for 264 performances.^[13] His adaptation for the stage of The Man in the Glass Booth gained him the most attention for his writing. The book and play present a complex and morally ambiguous tale of a man who, at various times in the story, is either a Jewish businessman pretending to be a Nazi war criminal, or a Nazi war criminal pretending to be a Jewish businessman. The play was quite controversial when performed in the UK and the US, some critics praising Shaw's "sly, deft and complex examination of the moral issues of nationality and identity", others sharply critical of Shaw's treatment of such a sensitive subject.^{[citation needed]}

Shaw was one of many stars in Battle of Britain (1969) and he had the lead in The Royal Hunt of the Sun (1969) and Figures in a Landscape (1970); his fee for the latter was reportedly $500,000.^[14]

In 1970 Shaw returned to Broadway playing the title role in Gantry, a musical adaptation of Elmer Gantry which ran for 1 performance despite co starring Rita Moreno.^[10]

His play Cato Street, about the 1820 Cato Street Conspiracy, was produced for the first time in 1971 in London. He did Old Times on Broadway in 1971.^[15]

As an actor he appeared in A Town Called Bastard (1971), a spaghetti Western; Young Winston (1972), as Lord Randolph Churchill; A Reflection of Fear (1972); The Hireling (1973); had a cameo in The Golden Voyage of Sinbad (1973); played mobster Doyle Lonnegan in The Sting (1973), a huge hit; was the subway-hijacker and hostage-taker "Mr. Blue" in The Taking of Pelham One Two Three (1974). "Most of the time about 50 times larger than the part," he later said.^[4]

In 1974 he made his final appearance on Broadway, in a production of Dance of Death.

The Man in the Glass Booth was further developed for the screen, but Shaw disapproved of the resulting screenplay and had his name removed from the credits. However, Shaw viewed the completed film before its release and asked to have his name reinstated. In 2002, director Arthur Hiller related Shaw's initial objection to the screenplay and his subsequent change of heart:

"When we decided that we needed more emotions in the film and leaned it towards that, we tried, obviously, to be honest to Robert Shaw, to keep that intellectual game-playing, but to create more of an emotional environment. And Robert Shaw became very disturbed. He did not like the idea and indeed, if you will watch the film, you will see that his name does not appear in the credits, nor does it even say, 'based on the play, The Man in the Glass Booth' because he wouldn’t let us do it. He just didn't like the idea until he saw the film. Then he phoned Eddie Anhalt, the screenwriter, and congratulated him because he thought it was—just kept the tone he wanted and did it so well. And he phoned Mort Abrahams the Executive Producer to see if he could get his name put on the final credits. But it was too late to restore his name, all the prints were all made."^[16]

Film Stardom

Shaw achieved his greatest film stardom to date after playing the shark-obsessed fisherman Quint in Jaws (1975).

Shaw followed this with End of the Game (1975); Diamonds (1975), because "I wanted to play a wonderfully elegant Englishman"^[4]; Robin and Marian (1976); Swashbuckler (1976); playing the lighthouse keeper and treasure-hunter Romer Treece in The Deep (1977), for which his fee was $650,000^[17]; and as Israeli Mossad agent David Kabakov in Black Sunday (1977).

During filming Force 10 from Navarone (1978) Shaw said "I'm seriously thinking that this might be my last film... I no longer have anything real to say. I'm appalled at some of the lines... I'm not at ease in film. I can't remember the last film I enjoyed making."^[18] He made one more movie, Avalanche Express (1979).^[19] He said he would use this to pay off his taxes, then focus on writing and making the "occasional small film".^[20]

Personal life

Shaw was married three times and had 10 children, two of whom were adopted. His first wife was Jennifer Bourke from 1952 to 1963, with whom he had four daughters. His second wife was actress Mary Ure from 1963 to 1975, with whom he had four children, including daughters Elizabeth (born 1963) and Hannah (born 1966). He adopted son Colin (born 1961) from his wife's previous marriage to filmmaker and actor John Osborne; according to an interview with Colin, he was Shaw's son born during an affair while Ure was still married to Osborne. Shaw's son Ian (born 1969) also became an actor. This marriage ended with Ure's death from an overdose. His third and final wife was Virginia Jansen from 1976 until his death in 1978, with whom he had one son, Thomas, and adopted her son, Charles, from a previous relationship. Shaw's grandson (via his daughter Deborah and film producer Evzen Kolar) ^[21] is American musician and composer Rob Kolar.^[22][23]

For the last seven years of his life, Shaw lived at Drimbawn House in Tourmakeady, County Mayo, Ireland.^[24]

Death

Like his father, Shaw was an alcoholic for most of his life.^[25] He died in Ireland at the age of 51 from a heart attack on 28 August 1978, while driving from Castlebar, County Mayo, to his home in Tourmakeady.^[26] He suddenly became ill, stopped the car, stepped out, and then collapsed and died on the roadside. He was rushed to Castlebar General Hospital, where he was pronounced dead.^[27][28] He had just completed acting in the film Avalanche Express. His body was cremated and its ashes scattered near his home in Tourmakeady. A stone memorial to him was unveiled there in his honour in August 2008.^[24]

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  Robert Shaw memorial in Tourmakeady, County Mayo, Ireland, near the location where he died
  

  
  

  
  


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  Closeup of the text
  

  
  

  
  


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  View of the pier at the site
  

  
  

  
  

Legacy

Shaw has a pub named after him^[29] in his birthplace of Westhoughton.

Villain Sebastian Shaw from the X-Men comics is named and modelled after Shaw.^[30]

Work

Stage

• 
  The Caretaker (1962)


• 
  The Physicists (1964)


• 
  The Man in the Glass Booth (1968)


• 
  Gantry (1970)


• 
  Old Times (1971)


• 
  The Dance of Death (1974)

Filmography

Writing

• 
  The Hiding Place (1960)


• 
  The Sun Doctor (1961)


• 
  The Flag (1965)


• 
  Situation Hopeless... But Not Serious (screenplay adaptation of The Hiding Place, 1965)


• 
  The Man in the Glass Booth (1967)


• 
  The Man in the Glass Booth (play adaptation, 1968)


• 
  A Card from Morocco (1969)


• 
  Figures in a Landscape (1970) (screenplay adaptation of novel)


• 
  Cato Street (play, 1971)

References

External links

• 
  Robert Shaw at the Internet Broadway Database
  


• 
  Robert Shaw at the British Film Institute
  


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  Robert Shaw on IMDb


• Robert Shaw – For All Seasons


• 
  Robert Shaw at AllMovie
  


• 
  Robert Shaw at the TCM Movie Database
  


• 
  Robert Shaw at Find a Grave