Totò
Totò | |
---|---|
Totò | |
Born | Antonio De Curtis (1898-02-15)15 February 1898 Naples, Italy |
Died | 15 April 1967(1967-04-15) (aged 69) Rome, Italy |
Other names | Principe della risata |
Occupation | comic actor, poet, writer, singer, songwriter |
Years active | 1922–67 |
Children | 1 |
Antonio Griffo Focas Flavio Angelo Ducas Comneno Porfirogenito Gagliardi De Curtis di Bisanzio (15 February 1898 – 15 April 1967), best known by his stage name Totò[1] (Italian pronunciation: [toˈtɔ]) or simply as Antonio De Curtis, and nicknamed il Principe della risata ("the Prince of laughter"), is commonly referred to as the most popular Italian comedian of all time. He was a film and stage actor as well as a writer, singer and songwriter. He is best known for his funny and sometimes cynical character as a comedian in theatre and then in many successful films shot from the 1940s to the 1960s, all regularly still on TV, but he also worked with many iconic Italian film directors in dramatic/poetic roles.[2]
While he first gained his popularity as a comic actor, his dramatic roles, poetry, and songs are all deemed to be outstanding; his style and a number of his recurring jokes and gestures have become universally known memes in Italy.[3] Writer and philosopher Umberto Eco has thus commented on the importance of Totò in Italian culture:
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"[...] in this globalized world where it seems that everyone sees the same movies and eats the same food, there are still unbridgeable divisions between cultures. How can two peoples ever come to understand each other when one of them is ignorant of Totò?"[4]
Mario Monicelli, who directed some of the most appreciated of Totò's movies, thus described his artistic value:
With Totò, we got it all wrong. He was a genius, not just a grandiose actor. And we constrained him, reduced him, forced him into a common human being, and thus clipped his wings.[5]
Contents
1 Early life
2 Career
2.1 Writing
3 Personal life
4 Death
5 Filmography
5.1 Actor
5.2 Screenwriter
6 TV
7 See also
8 Footnotes
9 Bibliography
10 External links
Early life
Totò was born Antonio Clemente on 15 February 1898 in the Rione Sanità, a poor district of Naples, the illegitimate son of Anna Clemente (1881–1947), a Sicilian woman, and the Neapolitan marquis Giuseppe De Curtis (1873–1944).[6] His father did not legally recognize him until 1937. He so regretted growing up without a father that, at age 35, he managed to have the marquis Francesco Maria Gagliardi Focas adopt him in exchange for a life annuity.[6] As a consequence, when Marquis de Curtis recognized him, Totò had become an heir of two noble families, hence claiming an impressive slew of titles.[6]
In 1946, when the Consulta Araldica — the body that advised the Kingdom of Italy on matters of nobility—ceased operations, the Tribunal of Naples recognized his numerous titles, so his complete name was changed from Antonio Clemente to Antonio Griffo Focas Flavio Ducas Komnenos Gagliardi de Curtis of Byzantium, His Imperial Highness, Palatine Count, Knight of the Holy Roman Empire, Exarch of Ravenna, Duke of Macedonia and Illyria, Prince of Constantinople, Cilicia, Thessaly, Pontus, Moldavia, Dardania, Peloponnesus, Count of Cyprus and Epirus, Count and Duke of Drivasto and Durazzo. For someone born and raised in one of the poorest Neapolitan neighbourhoods, this must have been quite an achievement, but in claiming the titles (at the time they had become meaningless) the comedian also mocked them for their intrinsic worthlessness. In fact, when he was not using his stage name Totò, he mostly referred to himself simply as Antonio De Curtis.[6]
Totò's mother wanted him to become a priest, but as early as 1913, at the age of 15, he was already acting as a comedian in small theatres, under the pseudonym Clerment. His early repertoire mostly consisted in imitations of Gustavo De Marco's characters.[6] In the minor venues where he performed, Totò had the chance to meet famous artists like Eduardo and Peppino De Filippo. He served in the army during World War I and then went back to acting. He learned the art of the guitti, the Neapolitan scriptless comedians, heirs to the tradition of the Commedia dell'Arte, and began developing the trademarks of his style, including a puppet-like, disjointed gesticulation, emphasized facial expressions, and an extreme, sometimes surrealistic, sense of humor, largely based on emphasizing primitive urges such as hunger and sexual desire.[7]
Career
In 1922, he moved to Rome to perform in bigger theatres. He performed in the genre of avanspettacolo, a vaudevillian mixture of music, ballet and comedy preceding the main act (hence its name, which roughly translates as "before show"). He became adept at these shows (also known as rivista – Revue), and in the 1930s he had his own company, with which he travelled across Italy. In 1937, he appeared in his first movie Fermo con le mani, and later starred in 96 other films, many of which still are broadcast frequently on Italian television.[citation needed]
As the vast majority of his movies were essentially meant to showcase his performances, many have his name "Totò" in the title. Some of his best-known films are Fifa e Arena, Totò al Giro d'Italia, Totò Sceicco, Guardie e ladri, Totò e le donne, Totò Tarzan, Totò terzo uomo, Totò a colori (the first Italian color movie, 1952, in Ferraniacolor), I soliti ignoti, Totò, Peppino e la malafemmina, La legge è legge. Pierpaolo Pasolini's The Hawks and the Sparrows and the episode "Che cosa sono le nuvole" from Capriccio all'italiana (the latter released after his death), showed his dramatic skills.
In his vast cinematographic career, Totò had the opportunity to act side by side with virtually all major Italian actors of the time. With some of them he paired in several films, the most renowned and successful teams being established with Aldo Fabrizi and Peppino De Filippo. De Filippo was one of the few actors to have his name appear in movie titles along with that of Totò, for example in Totò, Peppino e la malafemmina and Totò e Peppino divisi a Berlino.
Partly because of the radical, naive immorality of his roles, some of his more spicy gags raised much controversy in a society that was both strictly Catholic and ruled by the conservative Democrazia Cristiana (Christian Democracy) party. For example, Totò's 1964 movie Che fine ha fatto Totò Baby? ("What ever happened to Totò Baby?", a parody of What Ever Happened to Baby Jane?) included a cheeky and gross celebration of cannabis in an era when drugs were perceived by the Italian audience as something as exotic as depraved and dangerous. Nevertheless, such controversies never affected the love of the Italian audience for him.
Writing
During the 1950s, he started to compose poetry. The best-known is probably 'A Livella, in which an arrogant rich man and a humble poor man meet after their deaths and discuss their differences. Totò was also a songwriter: Malafemmena (Wayward Woman), dedicated to his wife Diana after they separated, is considered a classic of the Neapolitan popular music.[8]
Personal life
Totò had a reputation as a playboy. One of his lovers, the well known chanteuse and dancer Liliana Castagnola, committed suicide after their relationship ended. This tragedy marked his life. He buried Liliana in his family's chapel, and named his only daughter Liliana (born 10 May 1933 to his first wife, Diana Bandini Rogliani, whom he married in 1935).
Another personal tragedy was the premature birth of his son Massenzio in 1954. The child died a few hours later. He was the son of Totò's mistress Franca Faldini. During a tour in 1956, he lost most of his eyesight due to an eye infection that he had ignored to avoid cancelling his show and disappointing his fans. The handicap however almost never affected his schedule and acting abilities.
Death
Totò died at the age of 69 on 15 April 1967 in Rome after a series of heart attacks. Due to overwhelming demand, there were no fewer than three funeral services: the first in Rome, a second in his birth city of Naples—and a few days later, in a third one by the local Camorra boss, an empty casket was carried along the packed streets of the popular Rione Sanità quarter where he was born.[9]
Filmography
Actor
Totò starred in 97 films:
Hands Off Me! (1937) as Antonio 'Totò' Toretota
Mad Animals (1939) as Totò / Barone Tolomeo dei Tolomei
Saint John, the Beheaded (1940) as Mastro Agostino Miciacio
The Happy Ghost (1941) as Nicolino & Gelsomino & Antonino
Two Hearts Among the Beasts (1943) as Totò
Arcobaleno (film 1943) (1943)
Romulus and the Sabines (1945) as Aristide Tromboni
The Two Orphans (1947) as Gasparre
Toto Tours Italy (1948) as Prof. Toto' Casamandrei
Fear and Sand (1948) as Nicolino Capece
The Firemen of Viggiù (1949) as The Suitor - Disguises Himself as Dummy / Band Leader
Yvonne of the Night (1949) as Nino, il fantasista
Toto Looks For a House (1949) as Beniamino Lomacchio
The Emperor of Capri (1949) as Antonio De Fazio
Totò Le Mokò (1949) as Antonio Lumaconi / Totò le Moko
Side Street Story (1950) as Pasquale Miele
Figaro Here, Figaro There (1950) as Figaro
Toto Looks for a Wife (1950) as Toto
Totò Tarzan (1950) as Antonio Della Buffas
Bluebeard's Six Wives (1950) as Totò Esposito
Toto the Sheik (1950) as Antonio Sapore, il maggiordomo
47 morto che parla (1950) as Il barone Antonio Peletti
Toto the Third Man (1951) as Piero / Paolo / Totò
Seven Hours of Trouble (1951) as Totò De Pasquale
Cops and Robbers (1951) as Ferdinando Esposito
Toto in Color (1952) as Antonio Scannagatti
Toto and the King of Rome (1952) as Ercole Pappalardo
Toto and the Women (1952) as Antonio Scaparro
One of Those (1953) as Rocco
Man, Beast and Virtue (1953) as Prof. Paolino
Neapolitan Turk (1953) as Felice Sciosciammocca
Funniest Show on Earth (1953) as Tottons, il clown / Una signora del pubblico
Of Life and Love (1954) as Rosario Chiarchiaro (segment "La patente")
Where Is Freedom? (1954) as Salvatore Lojacono
A Slice of Life (1954) as Il fotografo
Poverty and Nobility (1954) as Felice Sciosciammocca
The Doctor of the Mad (1954) as Felice Sciosciammocca
The Three Thieves (1954) as Tapioca
Toto Seeks Peace (1954) as Gennaro Piselli
The Gold of Naples (1954) as Don Saverio Petrillo (segment "Il guappo")
Totò and Carolina (1955) as Antonio Caccavallo
Toto in Hell (1955) as Antonio Marchi / March' Antonio
Carousel of Variety (1955)
Are We Men or Corporals? (1955) as Toto Esposito
Destination Piovarolo (1955) as Antonio La Quaglia
Roman Tales (1955) as Professore Semprini
Il coraggio (1955) as Gennaro Vaccariello
The Band of Honest Men (1956) as Antonio Buonocore
Totò, lascia o raddoppia? (1956) as Duca Gagliardo della Forcoletta
Toto, Peppino, and the Hussy (1956) as Antonio Caponi
Toto, Peppino and the Outlaws (1956) as Antonio
The Lady Doctor (1957) as Michele 'Mike' Spillone
Toto and Marcellino (1958) as Il professore
The Law Is the Law (1958) as Giuseppe La Paglia
Big Deal on Madonna Street (1958) as Dante Cruciani
Toto, Peppino and the Fanatics (1958) as Ragionier Antonio Vignanelli
Toto in Paris (1958) as Marchese Gastone de Chemantel / Chateau-Boiron / il vagabondo Totò
Toto in the Moon (1958) as Pasquale Belafronte
Legs of Gold (1958) as barone Luigi Fontana
Toto in Madrid (1959) as Totò Scorceletti
The Overtaxed (1959) as Torquato Pezzella
The Thieves (1959) as Commissario Di Sapio
You're on Your Own (1959) as Il nonno illuminato
La cambiale (1959) as Cesare Posalaquaglia
Tough Guys (1960) as L'Algerino
Gentlemen Are Born (1960) as Ottone Degli Ulivi, detto Zazà
Toto, Fabrizi and the Young People Today (1960) as Antonio Cocozza
Letto a tre piazze (1960) as Antonio Di Cosimo
The Passionate Thief (1960) as Umberto 'Infortunio' Pennazzuto
Who Hesitates Is Lost (1960) as Antonio Guardalavecchia
Totò ciak (1960) as Toto
Totò, Peppino e...la dolce vita (1961) as Antonio Barbacane
Sua Eccellenza si fermò a mangiare (1961) as The So-Called Dr Biagio Tanzarella
Totòtruffa 62 (1961) as Antonio Peluffo
The Two Marshals (1961) as Antonio Capurro
Toto vs. Maciste (1962) as Totokamen Sabachi
Totò Diabolicus (1962) as Marquis Galeazzo di Torrealta / Gen. Scipione di Torrealta / Prof. Carlo di Torrealta / Baroness Laudomia di Torrealta / Mons. Antonino di Torrealta / Pasquale Bonocore
Lo smemorato di Collegno (1962) as Lo smemorato
Toto and Peppino Divided in Berlin (1962) as Antonio La Puzza / Canarinis
Toto's First Night (1962) as Nini
The Two Colonels (1962) as Colonnello Di Maggio
The Shortest Day (1962) as Frate bersagliere
Toto vs. the Four (1963) as Antonio Saracino
The Monk of Monza (1963) as Pasquale Cicciacalda / Don Manuel
Toto and Cleopatra (1963) as Marc'Antonio / Totonno
Le motorizzate (1963) as Urbano Cacace (segment "Il Vigile Ignoto")
Sexy Toto (1963) as Nini Cantachiaro
Gli onorevoli (1963) as Antonio La Trippa
The Commandant (1963) as Col. Antonio Cavalli
Toto vs. the Black Pirate (1964) as José
Beautiful Families (1964) as Filiberto Comanducci (segment "Amare è un po' morire")
What Ever Happened to Baby Toto? (1964) as Totò Baby / il Padre
Toto of Arabia (1965) as Totò
Latin Lovers (1965) as Antonio Gargiulo (segment "Amore e morte")
The Mandrake (1965) as Il Frate
Rita the American Girl (1965) as Serafino Benvenuti
The Hawks and the Sparrows (1966) as Innocenti Totò / Brother Cicillo
Treasure of San Gennaro (1966) as Don Vincenzo
The Witches (1967) as Ciancicato Miao (segment "La terra vista dalla luna")
The Head of the Family (1967) as Man at Funeral (uncredited)
Caprice Italian Style (1968) as Anziano signore (segment "Mostro della domenica, Il") / Iago (segment "Che cosa sono le nuvole?") (final film role)
Screenwriter
- Il medico dei pazzi
- Totò all'inferno
- Siamo uomini o caporali?
- Il coraggio
- I due marescialli
TV
TuttoTotò (1967)
See also
Malafemmena, a 1951 song written by Totò
Footnotes
^ Totò is a common pet name for Antonio in Naples and surroundings, a contraction from the Neapolitan dialect nickname Totonno.
^ Cammarota, Il cinema di Totò, Fanucci Editore, 1985
^ Laura Caparrotti. "Totò, un grande attore". Cyberitalian.com (in Italian). Retrieved 1 October 2013..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
^ Eco, Umberto (15 November 2007). "Che capirà il cinese". La bustina di minerva (in Italian). LIII (45). L'espresso.
^ "Mario Monicelli". Antoniodecurtis.org. Retrieved 24 December 2016.
^ abcde Domenico de Fabio. "Omaggio a Antonio de Curtis in arte Totò: l'infanzia". Antoniodecurtis.com (in Italian). Retrieved 24 December 2016.
^ "Il pianeta Totò". Antoniodecurtis.org (in Italian). Retrieved 24 December 2016.
^ Domenico de Fabio. "Omaggio a Antonio de Curtis in arte Totò: Malafemmena". Antoniodecurtis.com (in Italian). Retrieved 1 July 2017.
^ "Quel 15 aprile 1967". Antoniodecurtis.com (in Italian). Retrieved 10 September 2017.
Bibliography
- Giancarlo Governi. Il pianeta Totò. Gremese, 1992.
ISBN 887605703X. - Liliana De Curtis, Matilde Amorosi. Totò a prescindere. Mondadori, 1992.
ISBN 8804584521. - Ennio Bìspuri. Totò: principe clown. Guida Editori, 1997.
ISBN 8871881575. - Alberto Anile. Il cinema di Totò: (1930-1945) : l'estro funambolo e l'ameno spettro. Le mani, 1997.
ISBN 8880120514. - Associazione Antonio De Curtis. Totò, partenopeo e parte napoletano: il teatro, la poesia, la musica. Marsilio, 1998.
ISBN 8831770861. - Alberto Anile. I film di Totò (1946-1967): la maschera tradita. Le mani, 1998.
- Costanzo Ioni, Ruggero Guarini. Tutto Totò. Gremese Editore, 1999.
ISBN 8877423277. - Ennio Bìspuri. Vita di Totò. Gremese Editore, 2000.
ISBN 8884400023. - Franca Faldini, Goffredo Fofi. Totò: l'uomo e la maschera. L'Ancora del Mediterraneo, 2000.
ISBN 8883250133. - Paolo Pistolese. Totò, stars and stripes. Cinecittà, 2000.
- Orio Caldiron. Totò. Gremese Editore, 2001.
ISBN 8877424133. - Antonio Napolitano. Totò, uno e centomila. Tempo Lungo Ed., 2001.
ISBN 8887480141. - Fabio Rossi. La lingua in gioco: da Totò a lezione di retorica. Bulzoni, 2002.
ISBN 888319697X. - Orio Caldiron. Il principe Totò. Gremese Editore, 2002.
ISBN 8884402166. - Liliana De Curtis. Totò, mio padre. Rizzoli, 2002.
ISBN 8817117579. - Daniela Aronica, Gino Frezza, Raffaele Pinto. Totò. Linguaggi e maschere del comico. Carocci, 2003.
ISBN 8843027867. - Patricia Bianchi, Nicola De Blasi. Totò parole di attore e di poeta. Dante & Descartes, 2007.
ISBN 8861570127. - Sonia Pedalino. Totò e la maschera. Firenze Atheneum, 2007.
ISBN 8872553040. - Edmondo Capecelatro, Daniele Gallo. Totò: vita e arte di un genio. Viator, 2008.
ISBN 8890387203. - Liliana De Curtis, Matilde Amorosi. Malafemmena: il romanzo dell'unico, vero, grande amore di Totò. Mondadori, 2009.
ISBN 8804584521. - Ornella Di Russo. Cogito ergo De Curtis. Fermenti, 2013.
ISBN 8897171389.
External links
- Site of Totò, Antonio De Curtis
- Omaggio a Antonio De Curtis in arte Totò
- Antonio De Curtis e Totò, vita e opere
- Tribute to Totò (in Italian)
Totò on IMDb- Tribute to Totò in "La Patria Grande de Caracas" (in Spanish and Italian)