S. Theodore Baskaran


















































S. Theodore Baskaran
Baskaran.JPG
Native name

சுந்தரராஜ் தியடோர் பாஸ்கரன்  (Tamil)
Born 1940 (age 78–79)
Dharapuram, Tamil Nadu, India
Occupation
Film historian, Author, Civil Servant
Nationality Indian
Alma mater Madras Christian College
Period 1976–present
Subject Cinema,Wildlife
Notable works The Message Bearers
The Eye of the Serpent
Notable awards
Golden Lotus (Best Book on Cinema) Award for The Eye of the Serpent
Spouse Thilaka Baskaran

In this Indian name, the name Sundararaj is a patronymic, not a family name, and the person should be referred to by the given name, Theodore Baskaran.

Sundararaj Theodore Baskaran (born 1940) is an Indian film historian and wildlife conservationist.




Contents






  • 1 Early life and education


  • 2 Career


  • 3 Personal life


  • 4 Bibliography


    • 4.1 Books in English


    • 4.2 Books in Tamil




  • 5 Notes


  • 6 References





Early life and education


Theodore Baskaran was born in Dharapuram, Tamil Nadu in 1940. He completed his Intermediate at St.Johns College, Palayamkottai and obtained a BA (Hons) Degree in History from Madras Christian College in 1960.[1]



Career


Baskaran worked as Researcher in Tamil Nadu State Archives for two years. He joined the Indian Postal Service in 1964 as Divisional Superintendent at Trichy. He served as the "Special Officer For War Efforts" in Shillong during the Indo-Pakistani War of 1971. He took study leave in 1974 to research Tamil film history on a fellowship from Council of Historical Research.[1] He eventually retired as the Chief Postmaster General of Tamil Nadu.[2]


Baskaran published his first article on film in 1972 about Chidananda Dasgupta's documentary The Dance of Shiva. Encouraged by his friend Charles A. Ryerson, he decided to do research about Tamil Cinema.[1] He joined a Film Appreciation course in 1974. He became a member of the Advisory Board of National Film Archives, Pune.[3] In 1976 he joined the Calcutta Film Society. The same year, he presented his first research article titled Film Censorship as an Instrument of Political Control in British India in the Indian History Congress at the Aligarh. This and other articles formed the core of his first book The Message Bearers published in 1981. His second book The Eye of the Serpent (1996) won the Golden Lotus (Best Book on Cinema) Award in 1997. He has also written several books and articles on film history in Tamil. He was a Senior Associate in National Institute of Advanced Studies, Bangalore. He has lectured on cinema in many universities including Princeton University, The Australian National University and the University of Chicago.[3] In 2000, he won the Ki Va Ja prize awarded by the Kamban Kazhagam. He was a Hughes Visiting Scholar in the University of Michigan in 2001 and taught a course on Film Studies. He was a jury member at the 2003 National Film Awards.[3] During 1998–2001, he was the Director of the Roja Muthiah Research Library.[4] He is a member of the library's Board of Trustees.[5] He has also acted in a supporting role in the 2010 Tamil film Aval Peyar Thamizharasi.[6]


Baskaran is a keen bird watcher and a naturalist. He is a former honorary wild life warden and the South India Representative of the International Primate Protection League.[2] He is a trustee of WWF-India. His collection of essays on nature and wild life conservation has been published as The Dance of the Sarus (Oxford University Press) in 1999. He edited a book of articles on nature titled "The Sprint of The Black Buck" ; Penguin (2009)



Personal life


He is married to Thilaka Baskaran and lives in Bangalore.[1]



Bibliography



Books in English



  • The Message Bearers: The nationalist politics and the entertainment media in South India, 1880–1945, Chennai: Cre-A (1981). Second edition by New Horizon Media.(2009)

  • The Eye of the Serpent: An introduction to Tamil cinema, Chennai: East West Books (1996)

  • The Dance of the Sarus: Essays of a Wandering Naturalist, Oxford University Press (1999)

  • History through the Lens – Perspectives on South Indian Cinema, Hyderabad: Orient Blackswan (2009)

  • Sivaji Ganesan: Profile of an Icon, Wisdom Tree, Delhi (2009)

  • (ed.) The Sprint of the Black Buck, Penguin (2010)

  • The Book of Indian Dogs, Aleph Book Company (2017)



Books in Tamil



  • (ed.) Mazhaikalamum Kuyilosaiyum, Kalachuvadu (2003)


  • Em Thamizhar Seidha padam, Uyirmmai Padippagam (2004)

  • (ed.) Chitthiram Pesuthadi, Kalachuvadu (2004)


  • Tamil Cinemavin Mugangal, Kanmani Veliyeedu (2004)


  • Innum Pirakkadha Thalaimuraikkaga,Uyirmmai Padippagam (2006)


  • Thamarai Pootha Thadagam,Uyirmmai Padippagam (2005)

  • (trans.) Kaanurai Vengai (The way of the Tiger by K. Ullas Karanth), Kalachuvadu (2006)


  • Vaanil Parakkum Pullelam, Uyirmmai Padippagam (2012)


  • Soppana Vaazhvil Magizhndhe, Kalachuvadu (2014)



Notes





  1. ^ abcd "Interview with Theodore Baskaran". Kalachuvadu Magazine. May 2007..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  2. ^ ab "Verse and versatility". The Hindu. 20 December 2003.


  3. ^ abc Muthukumaraswamy, p. 314-5


  4. ^ "An archive for Tamil studies". Frontline Magazine. 19 August 2000. Archived from the original on 25 November 2009.


  5. ^ Roja Muthiah Research Library Annual Report (2008-09)


  6. ^ Bhaskaran, Gautaman (2010-03-11). "Review: Aval Peyar Tamilarasi". Hindustan Times. Retrieved 2017-05-10.




References



  • Muthukumaraswamy, M.D.; Kaushal, Molly (2004), Folklore, public sphere, and civil society, National Folklore Support Centre(India), ISBN 81-901481-4-1








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